OLIVEIRA, J.: Fata Morgana / Liturgia do Espaco (Ensemble Jocy de Oliveira, 1988)
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- (Disc 1)
Fata Morgana
Composer:
Oliveira, Jocy de
Libretto/Text Author:
Oliveira, Jocy de
Ensemble:
Ensemble Jocy de Oliveira
Dancer:
Growald, Debby
Dancer:
Yutaka, Paulo
Mezzo-soprano:
Kieffer, Anna Maria
Set/Stage Designer:
Oliveira, Jocy de
Stage Director:
Oliveira, Jocy de
Television Director:
Cabral, Inez
Liturgia do Espaco
Composer:
Oliveira, Jocy de
Libretto/Text Author:
Oliveira, Jocy de
Ensemble:
Ensemble Jocy de Oliveira
Dancer:
Growald, Debby
Dancer:
Robin, Michel
Mezzo-soprano:
Genu, Sonia
Mezzo-soprano:
Kieffer, Anna Maria
Soprano:
Farias, Viviane
Soprano:
Issa, Adelia
Choreographer:
Growald, Debby
Choreographer:
Robin, Michel
Stage Director:
Oliveira, Jocy de
Television Director:
Miranda, Francisco J.
Playing Time: 02:02:31
Catalogue Number: VIDVD0044
UPC: 7891544000440
Fata Morgana means mirage and visions of the subconscious, and is also the druid witch who represents divine wisdom, depositary of the primitive revelation.
According to Stephen Hawking, the world we live in, with its planets and galaxies, is contained within an enormous bubble, whose surface gives off other smaller bubbles that occasionally give rise to new universes. This concept is the central idea of this magical opera: a bubble, symbolizing birth, rebirth, the bubble of space, time.
Jocy de Oliveira believes Liturgia do Espaco to be a "cosmic allegory," questioning human beings in the light of the celestial spectacle. T.S. Eliot gave her the first key: "Time present and time past are both perhaps present in time future."
Bonus features:
- The Making of Fata Morgana
- The Making of Liturgia do Espaco
According to Stephen Hawking, the world we live in, with its planets and galaxies, is contained within an enormous bubble, whose surface gives off other smaller bubbles that occasionally give rise to new universes. This concept is the central idea of this magical opera: a bubble, symbolizing birth, rebirth, the bubble of space, time.
Jocy de Oliveira believes Liturgia do Espaco to be a "cosmic allegory," questioning human beings in the light of the celestial spectacle. T.S. Eliot gave her the first key: "Time present and time past are both perhaps present in time future."
Bonus features:
- The Making of Fata Morgana
- The Making of Liturgia do Espaco
Part 1
3
4
5
6
Part 2
Part 3
Part 4
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